@CarlaJDouglas
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| Image by m kasahara (CC BY-NC-ND 2.0) |
Is this the curse of digital publishing – that you can tweak
your book to death?
What are the signals that tell you your book is done?
Perhaps you are a faithful and detailed outliner, and according to your map, you’ve
reached your destination. All the plot points are covered. The story arcs
beautifully, the sub-plots are wrapped up nicely and you’ve guided the narrative
to a smooth, satisfying dénouement. Congratulations. Hit publish. *
Slowly the reviews appear – some are glowing, some are
critical, maybe overly so. You bask in the positive, take the hyper-critical
with a grain of salt, and perhaps even come to agree with some of the
criticism, which you will keep in mind when you write your next book.
Or maybe you are more like this: You also hit publish and
wait for reviews. But then you fret over the negative comments, doubting anew your
decisions about everything from the names you’ve chosen to how the story ends to character and motivation.
You take reviewers’ opinions to heart, and before you know it, you’re going
back into your file and making changes. You begin with barely perceptible
adjustments, changing punctuation, rearranging sentences. Adding a paragraph
here, deleting one there. You may even alter the plot. You
upload the book again, and then again.
Why? Maybe you had
doubts from the beginning; maybe a review has pointed out an obvious weakness
that you simply must address. Maybe. But the real reason you keep going back in
there and tweaking that novel is because
you can.
What’s wrong with this?
By all means, go in and correct obvious errors
like typos and formatting glitches. Your readers will thank you. But if you are
unduly influenced by reviewers’ words and you can’t resist the urge to adjust
and tweak, stop and ask yourself this: Whose book am I writing?
I asked novelist Melanie Dugan how
she knows when a piece of writing is finished. Here is her thoughtful response:
I agree that it can be tempting to keep tweaking a book or story too much. It's like drawing; anyone who has studied drawing knows there's a moment, if you work and work and work on a piece, when you can push it too far, and a drawing that was perhaps imperfect, but had life and movement in it, loses that sense of life and movement and dies, pure and simple. Something goes out of it, some kind of energy, and it becomes static and less interesting. Same thing with a story or novel. I believe nothing is perfect, and you have to make peace with that and sometimes settle for imperfection. Part of learning the craft of writing is learning when to stop.
And knowing when to stop goes hand in hand with confidence –
the confidence to just let your book be out there, like a bird,
instead of trying to wind it back in and control its path, like a kite.
Do read the reviews, if you like, and where criticism is constructive,
learn from it and apply it to your next book. But continuing to meddle with a
book you’ve already published is like trying to change the past – into one,
perhaps, in which the parents stay together and the dog doesn't die. By heeding
too closely the opinions of others, you risk trying to please everyone, and we
all know how that story ends.
*Of course you've also undergone a rigorous editing process, right? You have a smashing cover at the ready, and your novel has been proofed and formatted inside and out.
7 Questions Your Editor
Should Ask You
*Of course you've also undergone a rigorous editing process, right? You have a smashing cover at the ready, and your novel has been proofed and formatted inside and out.

Good post, Carla! Excellent points. I am a tweaker. I find it hard to stop going back and messing with my writing, even if it's just a blog post. This got me thinking: leave well enough alone! (Wonder where that expression came from?)
ReplyDeleteThanks, Arlene. It doesn't only apply to novelists, does it? I confess I'm a tweaker, too. How many times do you think I republished that post? Ha ha.
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